water, footsteps, Frida’s recreated voice, and music inspired by each image composed by Arturo Cardelús. It’s like taking the paintings and tying them together, combining them, creating sequences and collages, contrasts and comparisons, the full series of her self-portraits, for example. As if each painting were the frame of an animation? More than that, more like a choreogra-phy. “In spite of all the exhibitions, films and analysis, there are always aspects of Frida yet to discover. This ACCIONA project brings us clos-er to the many details that would be impossible to detect with just the eye,” explains one of the exhibition’s Mexican commissioners, Roxana Velásquez, together with Deidré Guevara. At the end of the intense journey through the life/work of Frida, the central pyramid turns into a Mexican altar for the dead. At the top, one of the phrases reads: “Viva la vida” (long live life). CULTURE SUSTAINABLE CREATIVITY AND TECHNOLOGY The ACCIONA Cultural Engineering team, behind the concept and production of the exhibition. One way of reducing emis-sions has been to travel using ACCIONA’s Motosharing electric mopeds whenever possible (right). SUSTAINABLE CREATIVITY AND TECHNOLOGY • The soundtrack incorporates sound effects and styles such as atonal, experimental, minimalist and traditional Mexican music. Recorded by the Budapest Art Orchestra. • The exhibition lasts 60 minutes, with unprecedented technological capacity: it projects 1.5 terabytes of continuous information (images of 300 million pixels) using 20,000 lumens 4K projectors. More than 1,000 square meters of projections onto walls and floors. • This is the first immersive exhibition with a positive environmental and social impact certification (ISO 20121). CO2 generated is offset by clean energy projects and trees planted in Spain and Mexico. • Where and when. Teatro Instante. C/ Palos de la Frontera, 20. Madrid. Until April 30th 2022.