walker, Communist, in pain, in love…”. “The ink, the stain, the shape, the color, I’m a bird, I’m everything.” “Why do I call him my Diego? He never was or will be mine, he belongs to himself.” For the Creative Director, Mathieu Felix, the exhibition manages to penetrate not only Kahlo’s paintings, but also her imagination - one can imagine the tension of the team when faced with the challenge of recreating a twentieth century icon. The artworks are projected digital-ly, either completely or in smaller details, on the walls and floors of the entire venue, and on a type of central pyramid which gives them vol-ume. SENSORY CHOREOGRAPHY Birds fly, rain falls, her friend Dorothy Hale falls into space, the painted eyes grow enormous trying to understand why Picasso said that, giant feet walk along followed by a flock of birds (“Feet, why do I need you, when I have wings to fly”). All of the images are set to a soundtrack, the